The Japanese term ‘ukiyo,’ translated as ‘the floating world,’ was used to describe the pleasure seeking urban culture of Edo Japan. When alternately rendered as ‘sorrowful world’ the term took on Buddhist connotations, indicating the transitory nature of human experience, the ephemerality of existence. These two seemingly opposed yet sympathetic concepts have always heavily informed the music of The Floating World and each album has been created with these as central themes. Named for a novel by William Morris, The Wood Beyond the World is The Floating World’s latest album and an attempt to capture the journey from the mundane to the illusory made by the novel’s protagonist – a journey that reflects the hunt for the temporal and intangible the band’s name intimates. With the addition of Neddal Ayad (guitar; Desolation Singers/Great Attractor) and Grey Malkin (drones, bells, piano; The Hare and the Moon), as full members who have brought additional nuance to the music, this ambition is more fully realized. Amanda’s delicate, melancholy flute parts now weave in and out of Neddal’s hazy guitar and Grey’s eerie and dissonant accompaniments – the whole underpinned by various rough field recordings used to compliment and counterpoint the music. Roy Felps (Korperschwache) also guests on the album, adding drifting acoustic guitar to a song. Amanda has also collaborated with Lacus Somniorum, New Risen Throne, Far Black Furlong, Dodson and Fog, The Joy of Nature and The Hare and the Moon. She and Neddal have another band together, Secrets to the Sea, as well.Edition of 500 copies in 4 panel digi sleeve.Released mid-October, 2013 on Cyclic Law.
English