‘Exaudia’ is the term used when a monarch grants a citizen of his kingdom an audience and, as a result, consents to a wish. Working with Bahar Shah, Astrid Williamson, Daniela Arbizzi and Farhad Behroozi, Exaudia combines the euphoric textures of De Francisci’s production with Gerrard’s haunting vocals. A feminine embodiment of poetic expression, the record plays majestically with this narrative.
“This piece is very much a story that depicts longing, distance between two people, it is an invitation to heal and a message of hope,” says De Francisci. “We collaborated remotely on Exaudia during the holidays between Melbourne and Los Angeles as I recall, importing Lisa Gerrard’s vocals onto my session, which her engineer Simon Bowley had sent over on the night of New Year 2021. Whatever plans I had to celebrate that evening were completely obliterated upon witnessing the emotional impact Lisa’s performance had on me. The overall track in general, as a result, was instantly addictive and therefore, I proceeded to work alone in the studio until dawn.”
“This work was borne out of a desire to write something together during Covid,” says Gerrard. “There is also the artistic desire to embrace the opportunity to unlock our unfulfilled visions. The album is very physical in its construction and sensibility, it is a deeply sensual work that enjoys a sense of empowered subtlety,” says Lisa Gerrard.
Gerrard’s unmistakable voice has evolved into a soothing warmth, illustrated by this gorgeous dreamscape of a video. The cinematic nature of this composition transcends space and time, evoking a state of consciousness we can only reach on the astral plane in our dreams. It is an emotional piece, a universal one, and a most welcome piece of comfort. It is a pure embodiment of the Divine Feminine. From Alice Teeple at Post-Punk.com
Released 2022 by Atlatic Curve and Schubert Music Europe.
English